Sunday, February 25, 2018

Grancrest Senki – 08

「会議は踊る」 (Kaigi wa Odoru)
“The Congress Dances”


So close to happily ever after.


Of the two halves of this episode, the romance of Marrine and Alexis was clearly the stronger. Not the one with the most potential—it was a standard star-crossed lovers tale, Romeo and Juliet without the suicide (though there’s still time)—but it was the better executed. That’s because while it was standard, they hit all the beats well, and they did one thing unexpectedly well: Alexis is actually a good guy. Partially as compared to this boorish ass, but he’s a good person in his own right—kind, soft-spoken, and with an idealistic outlook that’s backed up by a coherent philosophy of leadership. His philosophy might be wrong, or at least ahead of its time—they live in a world of iron and blood, with no United Nations or bias toward diplomacy to hash disagreements out—but it’s certainly attractive. I can’t blame Marrine for falling for him. Add on how he pursues Marrine a bit too aggressively at first—and his love at first sight line definitely reeked of playboy, not a good move—but when she gave him a clear no later on he agreed to back off … I mean, most men in our enlightened modern age don’t do that! (If you think that last comment was partially sarcastic, you are correct.) That first half isn’t going to win any awards, but it was executed well with an element that elevated. I’ll take it.


The second half wasn’t nearly so good. The council session at times reminded me of the Round Table Conference of Log Horizon fame, but it lacked a crucial ingredient: how to inject drama into an all-talking scene. The Round Table Conference scenes watched more like a battle than many of the actual battles in Log Horizon, complete with surprising turnarounds and finishing moves. The flow of Grancrest Senki’s council scene is all in Villar’s favor—until suddenly it’s not. As best I can tell, the tide was turned when Alexis tried to cede leadership of the Union to Villar, which forced Villar to refuse because of his Kreische blood (I guess), after which Dawson pounced and pushed for Alexis’ preferred method of peace, likely because Dawson knew that the Alliance would refuse and would probably attack Altirk. Dawson is using the Alliance to eliminate one of his internal enemies, making the classic geopolitical mistake of letting your disagreements extend beyond your country’s/alliance’s borders, even while it’s actually a savvy political move (just one that’s liable to haunt him in the end, when he needs someone to defend him and Altirk is gone).


The problem is that the drama was lacking during the scene, and I had to piece some of this together later (and I’m still not sure precisely why Villar’s Kreische blood matters, rulers were always marrying into each other’s families during time periods like this). A few extra lines to give an immediate reaction—Siluca provided some of this, but not enough—would have helped, like a sports announcer providing analysis on the play-by-play. Or really just stage the scene so that it’s not so flat. The result was a weak scene that played more puzzling than decisive, not helped by all the nameless nobles who never do anything other than say “No objection.” Coulda been better.


At least something didn’t go Theo’s way this time, since Altirk is liable to feel the business end of Marrine’s hammer. Which will probably just give opportunities for more Theo heroics, but I’m cool with that, gotta get those somewhere. Oh, expect I guess Rossini got expelled from the Union, but that was a foregone conclusion. Heh, got kicked out in two lines of dialogue, like the footnote he is. Screw you, Pederico!


Random thoughts:


  • Rant time: Marrine’s reason for backing out of the marriage is shit. So what if people are against your marriage, and willing to kill for it? When they kill someone, you mourn, and find the perpetrators if you can, but you do NOT let them change what you were going to do. You don’t let it stop you. It’s the same with terrorism—if they bomb the cafe, you rebuild the cafe just like it was. You make it clear: they do not matter. They are not important. They can cause pain, destruction, and death, but that cannot break you, and they cannot change you. As soon as you let these people change you, it’s over—they’ve won.

  • That said, the above is a very relatable mistake. It took a long time for human society to recognize this as the right response—and then only some societies some of the time. Mostly we still fuck it up. It’s a very human mistake, but a mistake nonetheless. (And also granted, a ruler has to worry about what will keep them in power. It could be that their marriage would lead to them being deposed and executed. But if you believe it to be the right course, do it anyway. They apparently did before. They just faltered at the last step.)

  • I highly approve of Alexis’ method of not-charity. Instead he’s tricking them (incentivizing them) into learning something they may enjoy, and which may enrich their lives. I’m totally down with that.

  • “I don’t know how long it will take, but I promise to come for you.” That’s the crucial line. That’s what Marrine is doing, even now.

My SECOND novel, Freelance Heroics, is available now! (Now in print!) (Also available: Firesign #1 Wage Slave Rebellion.) Sign up for my email list for updates. At stephenwgee.com, the latest post: Book 3 Progress Report.



Preview



Koi wa Ameagari no You ni – 07


Koi wa Ameagari no You ni – 07




「迅雨」 (Jinu)
“Heavy Rain”


Well, that escalated quickly.


General Impressions


Man, after last week’s suddenly depressing ending, I was afraid that something big was going to hit us this week. And after watching this week’s episode, I don’t think there’s anyone out there who can deny that we were hit with some pretty big things.


Starting in chronological order of big revelations, who would have thought that we’d see Kondou drop such a dark and scary line while talking to Tachibana? Looking back at it, I remember trying to fight an internal urge to scream at Tachibana (an imaginary character) to stop pushing Kondou’s button about the book thing. Like, even though we (the audience) knew that she had no idea what kind of landmine she was dancing around, it was pretty painful to see her try her best to strike up a conversation with the person she had such strong feelings for even though it was literally the worst thing she could have done at that point in time. And honestly, can you really blame Tachibana for what happened? Seeing how Kondou has been trying his best to keep himself “separated” from the situation, it’s not too surprising to thing that Tachibana would leap on the opportunity to learn more about the person she cherishes.


All of which lead to a rather depressing latter half where we had to watch Tachibana deal with her thoughts about whether or not she had just pushed out someone who she really wants in her life. However, as we all saw, it looks like enough persistence and a little bit of luck, things can work out and boy did things turn out well for Tachibana. Something that, based on what happened earlier in the episode, came as a surprise since I thought we were at the turning point where Kondou might have made an exit out of Tachibana’s field of view.


Overall , a kind of crazy episode that leaves us in such a strong position for whatever is going to happen throughout the latter half of this series. Hopefully, we’ll get to see a strong showing from both sides since it looks like things are about to get a lot more serious. In any case, I’ll catch you guys next week! See you then!


P.S. I forgot about it while I was originally writing but two random thoughts came to mind while watching this episode. The first being that this show has a lot of strangely erotic moments and the second being maybe Kase isn’t as bad of a guy as I originally thought he might have been.




Today at 3:59 am

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Toei Reveals Kamen Rider Build, Kaitō Sentai Lupinranger VS Keisatsu Sentai Patranger Films

2 films open together in Japan on August 4




Toei revealed the Gekijōban Kamen Rider Build (temporary title) and Kaitō Sentai Lupinranger VS Keisatsu Sentai Patranger en film films on Sunday with a teaser video. The films will open together on August 4.



Toei also revealed a teaser poster for the films. The tagline on the Kamen Rider Build film part of the poster reads, "Now, why don"t we begin the final experiment," and tagline on the Kaitō Sentai Lupinranger VS Keisatsu Sentai Patranger film part of the poster reads, "I absolutely cannot surrender this magnificent victory."



Those who pre-order tickets to the film starting on June 16 will receive either a "Kamen Rider Build & Crows" figurine or a "Lupin Red VS Patren #1" figurine.




The Kamen Rider Build series premiered on September 3. In the series, protagonist Sento Kiryū (Kamen Rider Build) is a genius physicist, and he uses the "Build Driver" belt to transform by combining "Full Bottle" ingredients from animals or machines. If the ingredients turn out to be the "best match," the Sento can use his special moves. In the show"s story, "Pandora"s Box" was found on Mars. Since then, massive walls called "Sky Walls" appeared and divided Japan into three regions now called Tōto, Saito, and Hokuto. In Tōto, unidentified creatures known as "Smash" begin appearing, causing a crisis in the region.


The Kaitō Sentai Lupinranger VS Keisatsu Sentai Patranger (Phantom Thief Sentai Lupinranger VS Police Sentai Patranger) television series premiered on February 11. The show is the 42nd in the live-action Super Sentai series since 1975, and it is the franchise"s first television series to feature two rival sentai teams from the start.


The three-member Lupinranger team fights as "Robin Hoods" to restore an important person lost in the past. The Patranger team fights for justice and an ideal future as a paramilitary unit in the International Special Police Organization. The three-way battle between Lupinranger, Patranger, and the crime syndicate Gangler revolves around the "Lupin Collection" — treasures, left behind by the legendary thief character Arsene Lupin, that can bring about humanity"s prosperity or extinction.


Images © Gekijoban "Build Rupapato" Production Committee
© Ishimori Productions, TV Asahi, ADK, Toei
© 2018 TV Asahi, Toei AG, Toei




2018 Doraemon Film Song"s Live-Action Music Video Streamed


Gen Hoshino"s official website began streaming a music video for his song "Doraemon" on Monday. The song is the theme song for the upcoming Eiga Doraemon: Nobita no Takarajima anime film.





The video promotes the release of the song"s single CD, Hoshino"s 11th, that will ship on February 28. In addition, the video previews the "ViVi Video" DVD that will bundle with the first limited-edition copies.



One of the sets in the music video is a room inspired by Nobita"s in Doraemon. The video, directed by Kazuaki Seki, is based on Hoshino"s original concept. Yuni Yoshida provided the art, and Mikiko"s dance troupe Elevenplay performed the dance.



Hoshino is also performing the insert song "Koko ni Inai Anata e" for Eiga Doraemon: Nobita no Takarajima. The Doraemon franchise"s 38th film will open in Japan on March 3.


Source: Comic Natalie




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Mary Lee Sauder






Author: Mary Lee Sauder




After the hard-hitting East Coast lifestyle hit me a bit too hard, I started pursuing my passion as a writer in my cozy home state of Ohio. Aside from that, I spend my time cooking, cosplaying, collecting anime merch, and being an improv comedy actor. I also love sneaking alliterations and stupid puns into my writing, so be on the lookout for them! 😉


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Antoine Rizal






Author: Antoine Rizal




I"ve been an anime fan for as long as I can remember. Actually, anime is very much a part of me now for I have extended my reach beyond just watching them. I am a fansubber for more than 8 years now and contributed a lot to the anime community. Me and my group has translated shows, manga, drama CDs and doujinshi. Right now I"m learning Japanese so I can better serve the community and read interesting stuff about the Japanese culture as well.


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Saturday, February 24, 2018

Yuru Camp – 08


Yuru Camp – 08




「テスト, カリブー, まんじゅううまい」 (Test, Caribou, Manjuu Umai)
“Exams, Caribou, Steamed Buns, Yum!”


Although this episode takes place around the exam period, no one in the Outdoors Club aside from Aoi is going out of their way to hit the books. Instead, Chiaki and Nadeshiko are looking into their own study material in the form of tapping into their hobbies. Chiaki puts on her professor’s mustache to learn how to use the new fancy picnic kit that she bought in a bid to keep up with the better prepared campers around her. Because her collection can’t take hot temperatures or fragrant food, and requires a vinegar soak and olive oil coat to ensure her food comes out good, a bulk of her time was spent making sure she could get her best mileage out of it. Studying can come at the last minute, as Aoi unfortunately knows all too well about Chiaki’s study habits. Meanwhile, Nadeshiko’s performance in school is meh, but that doesn’t stop her from documenting her daily activity through the pictures she takes on her commute.


Despite Episode 08 not having any study sessions, its main focus is planning for an upcoming Christmas camping trip. The second half of the episode, in particular, hones in on Nadeshiko’s introduction to Caribou, an outdoor shop where they plan on getting the proper camping equipment to take on a cold Christmas night. The trip to Caribou was an eye-opener for Nadeshiko as it gives her insight on just how expensive it can be to plan out an intricate outdoor trip, and that maybe Aoi and Chiaki’s part-time jobs wouldn’t be enough to get that last extra push to their budget that they’d have if she started working. From then on, Nadeshiko has work on her mind as she plans to make her own money to be able to afford warm items for their future Winter camping trips.


Nadeshiko’s search for part-time work is only one of the many hints that the episode has for what may lie in the future. As Chiaki gets familiarized with her picnic set, Ena pops on over and helps them clean their cookware. Ena is hesitant at the suggestion of joining them on a camping trip as she hates the cold, but it is the golden opportunity for her to join in once she makes a decision on if she wants to go after her exams. We’ve been seeing her and her dog in the OP, so it’ll be exciting to see when they’ll show up with the Outdoors Club. Similarly, Nadeshiko and Chiaki’s familiarity with Toba-sensei makes them curious about how she’ll look once she’s teaching them History lessons. Nadeshiko unknowingly met her in the last episode’s camping trip, and Chiaki only knows her from her boss describing her as an infamous customer who is always purchasing cases upon cases of beer. Even though this episode only teased a little of what was teased the last time around, it was a very pleasant episode, and sets the stage for multiple developments in Nadeshiko, Ena, and Toba-sensei’s next steps.




Yesterday at 4:32 pm

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Violet Evergarden – 07

「」


I must say, some of my favourite scenes in any given episode of Violet Evergarden are the travelling transitions. Violet Evergarden has some gorgeous backgrounds and beautiful music, and while it has turned out to be a dialogue heavy show I feel it is strongest when it indulges in quiet contemplation.


If course, there’s more to anime to art and sound, so let’s talk about theming. Starting from last week we’ve been moving away (though not completely) from anime original content and adapting more straight from the light novel. This episode is based on the first chapter of the LN. The chronological shuffling the anime adaptation has done, though, means that it can’t really be a 1:1 transliteration. In the LN, this first chapter was an introductory one, easing readers into the setting, the concept of Auto-Memoir Dolls, and what they do. Violet was a secondary presence compared to Oscar, he being the one with all the issues. In the anime, we’re now more than half-way through the season, and here Violet is a larger role. But the underlying themes should still be the same. You will no doubt have noticed that Violet Evergarden deals with parent/child relationships a lot, and the tale of Oscar is no different. And it also frequently deals with loss; last episode saw a child losing their mother, here it’s a father losing his daughter, and considering Violet’s circumstances we’ll see plenty more of loss in every form yet. But what sets this episode apart is that it is, for once, not about writing letters. Oscar is writing a play, fiction. Recall that this was the first chapter of the LN, and perhaps it was, in a self-indulgent way, trying to make a case for itself. After all, all fiction are but sets of well crafted lies. Before, the letters Violet helped write were an attempt to express a personal truth. But for Oscar, it is a search for a truth, an attempt to find some meaning in tragedy.


Consider this: why does Violet, and eventually Oscar, insist that the play have a happy ending? That its heroine returns to her father, while Oscar’s daughter did not? I know I sometimes rant satirical on happy endings, but this could be a time to seriously consider whether one is important. Oscar was writing a play for children, so perhaps it’s natural to assume that there will be a happy ending, but must it? I am reminded of one of the works of Maurice Sendak, the esteemed artist and author of Where the Wild Things Are. His dog was old and dying, and so he decided to write a book about her. In that book, the dog leaves the house on an adventure, gets lost, and dies. And, appropriately to our discussion of Violet Evergarden, the dog leaves behind nothing but a letter to her owner. It is not, by any measure, a happy ending, yet it was as much a children’s book as any other Maurice picture book. Are children incapable of understanding loss? Should they be sheltered from it? But fiction is how humans, creatures who have told stories before the dawn of civilisation, grapple with reality. It’s not like childhood is without fear, sadness, and uncertainty. Where better for children to confront these heavy issues than the safety of fiction?


Which brings us to Violet, who is very much mentally a child. In regards to the major, she has been sheltered from the truth. Was it right, to have hoped to spare her the pain as long as possible? Or should we confront the fact that, perhaps, her story is one where there can be no happy ending?

Valkyria Chronicles 4 Game"s Trailer Introduces More Federation Characters

Sega began streaming a new character introduction trailer on Friday for Valkyria Chronicles 4: Eastern Front, the fourth installment in its Valkyria Chronicles game series. The video introduces a second round of Federation characters.



The game is slated for the PlayStation 4 on March 21 in Japan, and on the Nintendo Switch in summer in Japan. The game is also slated for the same platforms as well as the Xbox One in the West in 2018.


Pre-orders in Japan will include a download code for a special mission that stars Edy from the first game. Clearing the mission unlocks Edy as a playable unit in the main story. The Japanese release release will also have a "10th Anniversary Memorial Pack" version of the game that will include a special mission that stars the original game"s Squad 7, including Isara as a playable unit for the first time. Clearing the mission unlocks Welkin, Alicia, Largo, Rosie, and the Edelweiss as playable characters in the main story. The "10th Anniversary Memorial Pack" release will also include the soundtrack and an illustration book.


SEGA describes the game:



The continent of Europa is engulfed in the flames of the Second Europan War between the Atlantic Federation and the Autocratic Eastern Imperial Alliance. Although the Federation struggles valiantly against the Empire"s forces, the relentless imperial military machine threatens to consume them. With victory slipping away, the Federation executes Operation Northern Cross: a last-ditch attempt to capture the imperial capital and end the war.


Commander Claude Wallace and his loyal childhood friends in Squad E are sent to fight for the desperate operation"s success, but they will have to endure harsh bone-chilling elements, waves of imperial soldiers, and the terrifying Valkyria... and unravel a grave truth that will shake them to the core.



The game is set in the same world and the same Second Europan War that provides the backdrop for the original Valkyria Chronicles and Valkyria Chronicles III. While the first three games focused on military units of the small nation of Gallia, Valkyria Chronicles 4 focuses on the main conflict between the main Europan powers of the Federation and the Empire, which is only hinted at in the first three games.


The cast and characters in Federation"s "Squad E" includes:


Ryōsuke Kanemoto as First Lieutenant Claude Wallace, the protagonist and commander of Squad E, 32nd Armored Ranger Battalion, 1st Combat Brigade, 101st Division of the "Edinburgh" Army. He is billeted as a tank commander.

Nao Tōyama as Second Lieutenant Riley Miller, the heroine, and a soldier in the 32nd Armored Ranger Battalion"s fire support company. She is billeted as a grenadier.


Kazuya Nakai as Raz, a section leader in Squad E. Due to his Darcsen lineage, he has no surname. He is billeted as a shocktrooper.


Maaya Sakamoto as Kai Schulen, a section leader in Squad E, and a gifted sniper affectionately nicknamed the "One-Shot Killer."



The new game includes new classes such as the Grenadier, as well as new mechanics, such as units performing Last Stands before death, calling in battleship support, and larger maps. The new game marks the return of the first three games" CANVAS engine.


Raita Honjō returns from the first three games as the character designer, and Hitoshi Sakimoto similarly returns to compose the music. Mai Kuraki performs the game"s theme song "Light Up My Life."


The original Valkyria Chronicles games are set in a fictional reimagining of 1930s Europe. In the first game, the Empire invades the neutral nation of Gallia to claim its resources. The game focuses on the soldiers of Squad 7, a unit in the Gallian conscript Militia, who fight back the invading Empire. The second and third games in the series focus on different Gallian military units.


Sega released the first Valkyria Chronicles game on the PlayStation 3 in Japan, Europe, and North America in 2008, and released Valkyria Chronicles II on the PlayStation Portable in 2010. Sega also released Valkyria Chronicles III on the PSP in 2011, but did not release it in the West. Sega released Valkyria Chronicles on the PC in November 2014, and released a similar remastered version for the PlayStation 4 in May 2016.


The first game in the series inspired a 26-episode television anime series by A-1 Pictures in 2009. The third game inspired a two-episode original video animation in 2011.


Sega released a new game titled Valkyria Revolution for the PlayStation 4 and PlayStation Vita in January 2017, and released it in the West in June with an additional Xbox One version. The game is set in a different world from the main series.

Khara, Dwango Establish Company to Fund Indie Games



Animation Studio Khara and telecommunications company Dwango announced on Friday that they jointly established a new game company named βακα (vaka) on February 15. The goal of the company is to support the development of indie games and to promote media related to these games inside and outside Japan.



The game company has begun recruiting editors, web and app directors, and overseas publishers. "Den Fami Nico Game Magazine" is also accepting applications for a "rookie of the year" indie game award that will commemorate the establishment of the company.


The name of the company is the Greek word for cotton, which the company is using to mean packing or filling material. The company notes that there has been an explosion of content platforms in recent years, and it is considering what should "fill" these platforms.


Khara founder Hideaki Anno (director of Neon Genesis Evangelion, Shin Godzilla) and Dwango"s director and chief technology officer Nobuo Kawakami are serving as board members for the new company. Daichi Satō is the company"s representative director.


The management members of Dwango"s "Den Fami Nico Game Magazine" website, which serializes indie games, will be central to the new company. The website"s titles include Satsuriku no Tenshi (pictured below) and Higyaku no Noel.



The Satsuriku no Tenshi "psycho horror adventure game" by Hoshikuzu KRNKRN"s (Makoto Sanada) has had free serial releases on the "Den Fami Nico Game Magazine" website. The game is available in English on Steam under the title Angels of Death. The game has inspired a manga adaptation that Yen Press is releasing in North America, and an anime adaptation is in the works. Related books have more than 1.2 million copies in print.


[Via Net Lab]




Top 10 Best Sports Anime of 2017 List [Best Recommendations]




Matt Knodle
































Final Thoughts





Matt Knodle






Author: Matt Knodle




I come from Indiana, where I grew up near a video rental shop that proudly stated “The widest selection of anime in the state”, setting me on a course to enjoy as much anime as possible. I’ve devoted myself to over-analyzing various sports anime and video games probably more than they were ever intended. I currently co-host a weekly sports anime fan podcast called KoshienCast with my good friend, Matt.


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Kain






Author: Kain




Howdy! I hail from “The Great White North” known as Canada. My hobbies include writing, video games and sports. I consider myself to be a hybrid-nerd. When I am not writing, you can find me watching anime and enjoying all facets of horror. I have a serious devotion to the Dead or Alive series and Final Fantasy IV. Oh, I would love to travel to Japan one day!


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Monday, February 19, 2018

Kokkoku – 07


Kokkoku – 07




「㐧漆刻」 (Dai Nana Koku)
“The Seventh Moment”


The Seventh Moment has solidified the encompassing issues that have been arising with both the Yukawa’s and the True Love Society in how a lack of trust or transparency has been rippling alliances in both parties. The morale issues come at the religious cult with full force as Sagawa confides his plan with Shiomi on what exactly he plans to do with Stasis. His goals align with his general curiosity about how the founder of the Society has been able to survive as long as he did in Stasis, and his aim to surpass time through eternal existence while Shiomi refuses to let Stasis fall under anyone else’s power works to only benefit himself. While it works in Sagawa’s favor, he’s overheard by Miyao, a follower who was under the pretense of finding the stone for spiritual enlightenment, is very unhappy about the prospect of being used. It’ll be interesting to see how Sagawa’s secret will work out in his behalf given how cornered he is by Miyao and his followers who aren’t as keen on being tools for Sagawa’s immortality.


On a related note, Juri has lead most of the Yukawa’s towards their own encompassing goal of destroying the stone once they recover her brother and transport Majima’s family with her. Although this is something that her party’s current members agree with, Takafumi continues to be a wild card as his resentment begins to take hold of him while he reflects on how they’re shutting him out of the conversation to destroy the stone. Additionally, this episode cemented Sako’s allegiances as his desire to support Majima has caused his interest in working with Sagawa to waver. It’ll be fascinating to see how it all plays out with the conflicting interests of Sagawa and the Society as well as how the Yukawa’s will be able to handle both outsiders who want them to succeed and the undoing that Takafumi could do if his personality becomes a factor in their downfall.


Despite the episode being more keen on showing us the division and morale between the two parties, it was one where Majima was able to gain some form of closure in finding out her brother is still alive. Although she has endured a terrible degree of suffering with her family’s disappearance, it became the catalyst for Juri to step up to the plate, and gives her the resolve to take on the family’s responsibilities for the pain that traveling to Stasis has called. Ultimately, its her compassion and empathy that helps spear-head their campaign to destroy the stone, and restore balance so that no one could abuse Stasis for their own gain. Over time, the revelations of her family history, Stasis’ effect on those around them, and the agony that Majima bears in her situation allowed Juri to develop further as a character by taking on the mantle of deciding the fate of the stone. Their stone is in the Society’s hands at the moment, but with Sagawa getting ready to distort himself with Stasis, we’re in for a wild ride to the finish line.


Preview


End Card




Today at 3:49 pm

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Mahoutsukai no Yome – 19

「Any Port in a Storm」


Having some experience with the source material for Mahoutsukai no Yome, there have been a few arcs that I wasn’t particularly looking forward to seeing adapted (principally this one and the “Kingdom of Cats” arc).  It’s not because they aren’t good – quite the contrary, in fact.  It’s just that mangaka Yamazaki Kore pulls no punches when she goes dark, and while it doesn’t happen all that often, she can go very dark indeed.  There’s no despair fatigue to blunt the impact as is the case with something like Devilman Crybaby – when Mahoutsukai goes for the throat, you really feel the cut.


Such is certainly the case with this arc, which was teased by last week’s (weekly) cliffhanger ending.  We spent a good deal of time getting to know dragons young and old in the early days of this story, and they all made a big impression in their own way – both on Chise and the audience.  So when dragon children are kidnapped by poachers – still worse when they’re shown to be working for Cartaphilus – it certainly sets a sick feeling in the pit of your stomach.  This is not going to be pleasant, that much is obvious – though just how unpleasant it turns, and how quickly, may be a bit of a shock.


As always, Mahoutsukai finds time to drop in a few interesting teasers about the mysteries of the story – like the mention that Chise is officially dead in Japan (not to mention Chise musing on whose face Elias “borrows” later in the episode – but we’ll get to that) – while it lays out the plot.  As Chise lies asleep, Mikhail is in London working with a pair of students – Adolf Stroud (Suzumura Kenichi) and Tory Innis (Konishi Katsuyuki) – to try and prepare to track down the missing dragons.  As it happens these two are college students – but this too is a teasing reference to something deeper in the story, a college whose nature Elias seems keen not to share with Chise.


Chise, meanwhile, has a rather disturbing vision/dream where she meets Cartaphilus in London.  He seems not himself – his memories not fully intact, roiling in agony from his stolen arm – but his nightmarish visage is enough to finally wake Chise from her two-day repose.  The full cast from the college is there, along with Lindel’s Selkie familiar, and it’s clear that they’re all very keen on bringing Elias into the rescue effort.  This is a pattern we’ve seen repeat itself numerous times – Elias would just as soon mind his own business, but is more or less forced to help by Chise’s insistence.  And given her relationship with the dragon children, there’s no chance Chise is going to be persuaded to sit this one out.


The path of least resistance is to simply purchase the dragons when they come up for auction, and to this end Chise enlists the help of Seth, the agent who brokered her sale to Elias.  But this is going to take an enormous amount of money – more, perhaps, than even the combined wealth of the college and the money Seth tells her she (and Elias) is owed from her own sale.  There’s another offer of help, too – from a mysterious woman who catches Chise’s ear when the auction seems to be going badly, but is invisible and inaudible to everyone else.  Elias, meanwhile, has taken on a form which gives us an insight into his inner thoughts that’s considerably more informative than his usual visage.  It’s quite a revealing development for his character in many ways.


In the end, though, all this takes a back seat to what’s happened to the dragon child – and we’re spared none of the gut-wrenching depth of his despair.  From being experimented on by Cartaphilus to being bound and manhandled in a cage, the creature has been driven to madness by terror and pain – and Chise is able (whether she wants to or not) to share his emotions.  We’re not told the exact details of how the dragon’s transformation happens – whether this is something all magical creatures are capable of it driven to it, or only dragons, or whether it may be a result of Cartaphilus’ experimentation.  But whatever to cause, it renders the auction price moot quickly enough – and leaves an enraged fire-breathing dragon rampaging in London (it’s as if Boris Johnson were mayor again).  Rarely in Mahoutsukai has the potential for tragedy seemed to exist on so many levels – and to be unavoidable.



Preview

Cardcaptor Sakura: Clear Card ‒ Episode 7

This week, Clear Card shakes up the formula by having Sakura meet a card that wants to be her friend. Flight, which looks like the feathered garment that celestial maidens typically have stolen by humans to make them stay on Earth, is the friendliest card yet; it makes its appearance by basically asking to play tag. Sakura isn"t prepared at first for Flight to be that nice (and how will the thorny vines of Action hurt it less than Gale?), but once she figures it out, it"s clear that she"s found a card who will enjoy working with her. Given that “capture” isn"t a particularly positive word, this is truly a nice change of pace.



That"s not the major reveal in this episode, however. Much more important is Syaoran"s new trick – by doing the appropriate hand gestures, he has learned to pull a sword from his hand. We"re not sure when he learned how to do this, but it"s obvious that he intends to use this power to protect Sakura from any dangers that these new clear cards might pose. He"s definitely not comfortable with the way things are. While Sakura"s just going with the flow and Tomoyo"s happy to just film Sakura catching cards in cool outfits, Syaoran"s much more wary. He"s more than simply unhappy that he can"t sense the new cards; he flat-out doesn"t trust whatever"s behind their appearance, and I get the sense that he"s thinking the cards may be excluding him on purpose. Not in a “neener neener, you can"t come” sense, but rather that they don"t want him involved in whatever they have planned for Sakura. Whether it"s because they"re afraid of him or because they just prefer to have Sakura as ignorant as possible isn"t yet clear, but Syaoran"s knowledgeable enough that I don"t think we can just write his concerns off. The fact that next week will send Sakura to Akiho"s house, which is conveniently where Eriol stayed, may feed into Syaoran"s concerns - it"s just a little too convenient that she"d be living in that particular house, isn"t it?



In the meantime, we do find out what the Record card does this time – hang on to your hats, it records stuff. Crazy, right? Actually, its photo-and-hologram function is more like a combination of a 3D printer and a paparazzo in the way it zooms around frantically snapping pictures before printing them holographically, making me suspect that it will best be used for decoy purposes. That may assuage some of Syaoran"s fears and be useful going forward, especially if there"s a motion option. I also love the design of the card"s physical manifestation – it plays with different methods of recording by having the look of an old film camera with a quill pen attached to its frame. Design-wise, the ribbon-wing form of Flight on Sakura"s back is also especially nice; not only does it fit with the designs of Tomoyo"s costumes, but it also would have been immensely appealing to me as a little girl, adding a new item to my list of “things that might make me fly if I try really hard.” That"s the kind of appeal that sells merchandise, but it also feeds the imagination, which is more important in a children"s show.



The fact that Clear Card is just such a kids" show probably fuels its continued slow and lighthearted pace even seven episodes in. That"s still fine even from an adult perspective, because the art is so beautiful, the nostalgia factor is perfectly recreating the characters from the original show, and there are enough kernels of plot progression to keep us interested. But it"s also worth remembering that many of us aren"t the target demographic, and sometimes that"s going to make things feel less exciting than we expect. Of course, given Syaoran"s new power and Akiho"s place of residence, I could be totally wrong about the stakes to come. There"s definitely a major plot reveal lurking in the not-too-distant future, and that could shake everything up even as soon as next week.


Rating: B


Cardcaptor Sakura: Clear Card is currently streaming on Crunchyroll.




School Babysitters ‒ Episode 7

Has anyone ever thought of installing a lock on the daycare room? Because with Usaida"s sleep habits, these kids sure wander off a lot. Admittedly Kotaro"s jaunt to the high school wing last week was sanctioned by Usaida, but his escape with Kirin this time was not – although Kirin did leave a note, so at least she"s being responsible even if she draws poor Inomata as if she were a yamamba. More concerning is Takuma"s trip, because he"s not going to play with Inomata or deliver Ryuichi"s lunch; he"s actively trying to go home to Kazuma, who"s sick in bed. A toddler not only making it out of the building but off school grounds is definitely cause for concern.


That said, it"s still pretty realistic for a kid to do – I used to try and escape from daycare through the woods with my middle sister. (We would have made it too, if it weren"t for that old wire fence!) When Kirin decides that she and Kotaro ought to go find Inomata if she"s not going to show up at the daycare, that"s just little kid logic; if you want to see someone, you go see them, end of story. Kirin"s precociousness then leads her to decide that Inomata hates Ryuichi because she can"t distinguish between the various degrees of “like” and “hate”, which is another wonderful detail because emotional nuance is a tricky thing to figure out even as a teen like Inomata, who gets way too caught up in a toddler"s perception of her love life. All of this gives poor Kotaro another moment of shock and horror when he realizes that someone might not appreciate the bestest big brother ever – not only is it darkly amusing to see his look of shock, it"s also incredibly heartwarming that he has such faith in Ryuichi and expects everyone to see how amazing he is.


That"s definitely not lost on the girls in his class, much to Yuki"s chagrin. Apparently Ryuichi and Kamitani are the heartthrobs of their class, in no small part because Ryuichi is so devoted to Kotaro. While they acknowledge that none of them stand a chance with a little brother in the mix, the girls can"t deny that they find such parental devotion and kindness incredibly appealing. Only Yuki really seems like she might act on her crush (possibly next week), mostly because Inomata is trying really hard to deny that she has a crush in the first place. Not that Ryuichi is aware of any of this – heck, he didn"t even notice that he left work in his apron with a butt covered in stickers courtesy of the toddlers – and that"s probably why the other boys in class don"t dislike him outright. It"s hard to compete with someone who isn"t aware that there"s a competition.


While this week"s hard split between vignettes isn"t anything new for the show, it does feel somehow more disjointed. I"m having a difficult time putting my finger on why, but I suspect that it"s because both halves follow the exact same pattern: child feels strongly about something, child leaves, older person finds child and resolves issue. This certainly isn"t an unusual pattern for School Babysitters, but we don"t typically have it back-to-back like this, and while there usually is a unifying theme for the episode as a whole, past weeks have executed their two-parters with more diversity. It"s fair to say that there are important plot points and differences between these stories, but on the whole it just doesn"t feel as smooth as it could have.


Even with that issue, this episode is still brimming with charm and cuteness, which is a major part of what makes the show work. Frankly, if the kids want to beat on Usaida a bit more to make my cold go away, I"d be a happy person.


Rating: B+


School Babysitters is currently streaming on Crunchyroll.




Dungeon ni Deai wo Motomeru no...(Danmachi) 2nd Season Anime




What You Need to Know:


  • Smashing through the ceiling of having over 9,000,000 copies of the series in print, yesterday, the official twitter of Dungeon ni Deai wo Motomeru no wa Machigatteiru darouka (Danmachi) ((Is It Wrong toTry to Pick Up Girls in a Dungeon?)) announced that the series will be getting a 2nd season as well as an anime movie!

  • The movie is titled "Dungeon ni Deai wo Motomeru no wa Machigatteiru darouka -Arrow of the Orion-" and will feature series creator Fujino Oomori in charge of the script. They have also released a new key visual that you can catch along with the announement PV below! The movie will also feature a brand new, original story!

  • If the news could not get any etter, it has also confirmed that Yoshitsugu matsuoka (Bell) and Inori Minase (Hestia) will reprise their roles in the movie as well as the upcoming anine series. There has been no further information released, but we assure you that we will be ready when it comes!





honeys anime character

AAAAAAAAAAAAAAAAAAAAAAAAAAA!! This is great news!



honeys anime character

Bestia is back with those bouncing orbs of wonderfulness. I can"t wait!
























Chuukan Kanriroku Tonegawa Anime




What You Need to Know:


  • Apparently, Kaiji is not over as today, it has come to light that Tensei Hagiwara and Tomohiro Hashimoto"s Kaiji spin-off manga series, Chuukan Kanriroku Tonegawa, is going to be getting an anime in 2018!

  • The series began publication in 2015 in Young Magazine (Kodansha) and the sixth bound volume went on sale in November last year. Madhouse has been confirmed to be the animation studio in charge.

  • More information is due out at a later date, but it"s probably safe to assume that the anime will not be coming in Spring as there is no official site yet and we are less than six weeks away. There could be more to come, but we think it will come Summer or Fall!




honeys anime character

Mmmmmmmmmmmmm This looks like it"s going to end up marketed for middle-aged men. I don"t know if I"ll watch it.



honeys anime character

What are you talking about Bee-kun? That is your demographic!















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